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20131101
20131130
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, bending without breaking i don't want to be preachy. go back to some of my father's music, which is amazing. it is still relevant. it's amazing. he left me with a lot of music i can rest her back to. >> it impacted your life and your song stylings. why is it important to take that ? you could be singing lyrics that are totally different. why is it important to do it that way? universei put into the is so important to me. to say,eople to be able she really talked about what was happening, what was going on, and it was a history lesson. it has always been important to me. i love blues music so much. it. ithe potential of want it for the rest of the world. in order to do that, i have to evolve and grow so the music can evolve and grow. i had been singing for 15 years. to getsaid, i am going voice lessons so i can learn to sing. evolve andonstantly grow so the music can. that's what i am trying to do. much pushback do you get for being straight forward in your lyrical content, or is it welcomed? >> i think it is welcomed by most. the other ones we ain't going to worry about. tavis: h
. >> do you want me to wait outside? >> don't worry about it, i have to go anyway. i will talk to you later. i will see you this weekend. >> i hope so. to ski in vermont with my devices. >> i hate you so much. >> was that you kissing a white man? >> it was not my first white man. i know, but just -- >> i like all flavors, tavis. tavis: we know one piece of the story line here. what is your character doing 15 years later? segment producer in the first film and now she is sort of running the network. she is doing her thing as a producer. taking her time, focused on her career. she put love and relationship on the side burner to be this amazing producer. she made it and is realizing through the story -- i don't went to give too much away, but she sees that she truly is recognizing that there is power in being vulnerable and finding love. finding a partner. career isn't everything. that is something a lot of women struggle with. tavis: was there something or some things that you needed to see to come back to this? i am just a hollywood fan. sometimes people do stuff a second or third or f
. -- on tour. ♪ [portuguese singing] i still don't know if have it, but you've still got it. >> you definitely have it. you, tavissaying to for president. wish it uponif i you these days. trying to shut the government down, i don't want no part in that. you are always on the road. you are always in some strange part of the world. you're not tired of all this traveling? >> that part of everyday. everyday is thanks giving for me. i still have an audience, and they asked the local promoter, when is al coming back? i don't know what i would do anyway. tavis: how have you protected this instrument? >> i am closer to a baritone bass been trying to scream with those tender voices. i pushed my voice. i always try to stay fit. day, trying every to stay fit. to have too many bad habits. >> i went down on my knees in prayer, and i hated that you were so far from me i could not get you. i could not reach out to touch you, but i was rating for you. like tom a don't let that happen. like, don't let that happen. valves that were leaking, but i had not noticed anything until then. a couple of instances of but
the next season. i saw don cheadle. don, you've got to bring tamara back. said, if i bring her back, i will have to kill her. tavis: i was hoping you were going to come back for another season. i hope they call you. hey, call her. doesn't stop me from asking the question i want to ask. over these 15 years since you did the first "best man come ," has your career gone in the way that you thought it would go? has yours gone the way you wanted it to be 14 years ago when you headed this direction. >> no one has ever asked me that question and i don't think i have thought about it in those terms. my commitment has been to do the things that move me. to understand there are political challenges, to understand that there are things that are so far out of my control. but then i can still aspire to get to where i want to be regardless of if they choose me or not. it took a long time to get to the place where that is a reality. we have to wait to be picked. let me jump in because i am with you now. how do you, or how have you gone about getting where you want to be without waiting to be chosen?
an outreach group. i help people like jannek, i don't finance them. when did you last see anna westin? when? she came back here a couple of months ago. i hadn't seen her for a while. why did she come back? she wanted me to join a group. they had a retreat somewhere in the forest. join them and do what? make a stand. what does that mean, make some sort of stand? i don't know. she just left. look... nobody joins a cult. nobody joins something that they think is going to hurt them, or anyone else. you join something with people that you really like. people you believe in. (phone rings) don't you? anna? anna: kurt? will you come and see me... please? where are you? (door squeaking) anna? are you okay? yeah. where are the others? it's just me now. i met jannek at the outreach group. he'd just come down here. he was a schizophrenic and he was afraid he was getting ill again. i tried to help him. i tried to get him off his medication. i tried to look after him. anna, you don't have to do this. you don't have to do what these people tell you to do. i'm not. it's just me. can we have a couple of cof
the heat and he went into all of this movie. very complex. it might bomb at the box office, but i don't care. i'm going to make this movie because i deleted it. and think of the box office was there from -- becau i believe in it. and thank god for the box office. it was there. i was arguing with the dan rather's of the world and all the naysayers. i never talk the attitude that movie. i felt responsible for the work. tavis: why did you feel that that movie had to make a statement? why did you can do so much of yourself to get out that storyline? myth that national hato be looked at. it is crucial to where we are today. what we try to say in the movable -- in the movie and in this untold story was that kennedy was significantly different than eisenhower before him and different from johnson after him. those three years with the beginning of a detente with the soviet union, a feeling for peace, a seeking out of a new ally with the soviet union, the end of the cold war, as kennedy called it at his university speech. pax of american war. presidents,merican next to roosevelt, he is the onl
, the autopsy, -- on the evidence, the ballistics, the autopsy. we don't try to make it into a false hero. he show that the case was always soft but that he brought out a lot of evidence that was later used in became important. tavis: a lot of things -- it occurs to me every time i see it with castingo do and you directing and a lot to do with their gifts and their talents, but the acting in this just holds up. these guys are so gifted. sutherland and costner, the entire cast, tommy lee jones. >> everyone is a face. is incredible. gary oldman as oswald. i love the cast. --re were seven signposts there were signposts. it is a competent story and the audience could lose some of those signposts. you remember who the people are. to ask if youoing thought this project may have been received different leave he did not have an all-star cast of a with less recognizable cases. we might've gotten lost in the storyline. >> i think it helped a lot. it was a fun movie in terms of tension. it keeps your interest. it grips you. it was a rough opening because, although we got eight nominations, oscar nominat
of the time not. i have been doing this for a little bit now. if you don't know by now, what i might be able to do, there are a number of directors out there and other creative folks who have said we like what you do and want to work with you. i have to say if there are any people i do owe a good deal of thanks to in the industry, it's the artist. who directors or writers took an interest in my work. i haven't always felt welcomed by the business aspect, by the studios, although that changes as well. artists who for some reason gravitated toward my work. i don't take that for granted. tavis: i wonder what difficulty you have deciding what you want to do. you wrestle with how you are going to explain why you took a particular role, as if somehow you owe me or the viewers an explanation. i guess you feel you have to justify to yourself why you take certain roles, given your politics. this stuff doesn't happen easily to you. you are such a complex human being who has views on the world. sometimes they are controversial, but i wonder, is the process of you choosing roles that fraught with diffic
network television can and will do? >> not at all. i don't think network television really has changed that much, in terms of what you can or can't do. i had always thought that in my really -- nypd blue would open those doors. while i think that it created a ,uch broader template for cable i don't think it really did that much for network tv. tavis: i'm surprised you say that. andlanguage is more saucy more spicy, the sexual innuendo is more in-your-face now than ever before. you don't think tv has changed that much since that era? company" --"freeze "three's company"? it was wall-to-wall sexual innuendo. that kind of stuff has been a staple of the tv for a long time. what i always thought nypd blue would accomplish was not just in terms of a more realistic approach to language. when appropriate, given the kind of show you are doing, but also in terms of sexuality and the sort of legitimate portrayal of how people relate to each other on those levels. always -- there have always been cop shows, but the preponderance now of cop shows on tv, how do you read that? shows are by definition
in conversations that get to that.y will i will leave it to the other show host to dig that up. i don't know if we have the front and the back cover. contemporary graham nash. there is a fascinating and heartbreaking story in this book about how you got introduced to the camera. your father turned you onto the camera and found himself imprisoned because of a camera and it had a profound impact on your life. tell me more about the camera story. >> he was a poor and hard- working man from the north of england. struggling with life after world war ii. was takingy photographs of me and my sister at the local zoo. he turned me on to the magic of photography when i was 10 years old. the first photograph was taken of my mother when i was 10. that was what? hadcamera that my father bought had been stolen. my father wouldn't tell. he consequently spent a year of his life in a very brutal prison in the north of england. who goes to jail for a year for a $30 camera? >> the people that can't afford good justice. of myto be the father family and the man of the house. our main breadwinner had been incarcerated.
they have so, don't particularly like the sound of their own voice. there are actors who won't watch themselves. that you are not one of those. how just started learning to do that, because i have to. if i'm going to be the best in what i do, i have to study what i'm doing. i have to see it and hear it. i'm just starting to appreciate myself and the way i can look at , or listen to myself as much as i do now. is starting to be like, hey, i like myself now. then i can grow that way. what i did back in the day, i don't want to see it or hear it, i cannot grow. that is why listen to myself and watch myself now. >> i'm going to put you on the spot here. i know what we think of your music, all the fans. if he asked me what do you love , what is your favorite song? about ask you a question mary. when you talk about listening to yourself now, when you hear your voice, what do you hear? are there things you think you can still work on, things you are trying to perfect, are you happy with your voice at this point? >> i love that question. i see nothing but imperfections. i am my worst critic.
about what you want to do and what you don't want to do at this point? >> i try to do what i said i would do, say yes to the things that make my heart beat faster. particularly if there is something scary about it. it is good for me to try to go there. thingspast year, doing like on 30 rock. it was so fun and so scary. i did not want to let anybody down. they are so fast. it is really sorting through the best of the things i offered. but the things that make it easier for me not to feel concerned if i am not working every minute is about seven years ago, i started writing music and i ended up with a publishing deal with universal music. we just got a tim mcgraw cut which is pretty exciting. tavis: pretty big, tim mcgraw. i just started writing a song with kris allen who won american idol for a small indie movie. it brings me great joy to do that. it is something i can do whenever i want to do it. i like that. tavis: seven years ago, you got this deal but you did not start writing music seven years ago -- >> i did, actually. tavis: hold up. seven years ago, you started to ?o music i
something out there. tavis: good water. great artists who perform this stuff but don't necessarily write it emma since you mention sinatra, con -- necessarily write it, since you was hisd sinatra, khon muse. he sang 87 songs from the same guy. >> one thing i can say about frank sinatra which white -- which i will say in my show is that he always acknowledged to the writers. if you ever notice in his live performances are you see -- or you hear a live album, he always gave them credit. tavis: and you do the same thing. i have seen you everywhere but the carlyle. this season, hope to get there and see you. i saw bobby short there when he was holding court for 30 some years. years and iere 36 have beenhere nine. i have been there every year since he passed away. by the time i catch him come i will be am a 60. [laughter] , i haveelieve that [indiscernible] mike is on the way over to brooklyn. tavis: you love that room. >> i was honored to be asked to do that. know, i got a call that bobby had passed away. he always did that holiday season. now i am doing what he also did. he would come
of america. you don't snitch on your friends. it is part of street life. his life would have been more difficult if he told the police who it was. been muchould have more difficult, but he stood up for what he believed in and it made me realize that justice is possibly an item that can be bought and sold. tavis: you are on to the question i want to ask now. what did you learn about the notion of justice and how malleable it might be? >> justice was a commodity and that poor people could not afford it and rich people can. it is the reason why many rich people don't go to jail for all crimes committed. lawyersan't afford good and to be able to burden the system, you are headed to jail. i always struggle to support the underdog. i have always been for the team that is two points behind. let me jump forward and i will come right back. there is so much in this book that i can't do justice to. experience inform your songwriting years down the road? you have been rich over the years speaking to humanity of all kinds of people. i am getting a sense of what that did to put you on the road years
or role models. even if they know somebody they don't watch them go to work. i think the failures are more than successes. -- instructive than successes. give me one example of what you mean by your own personal failure. failure, --out my >> without my failure "dilbert" would not have existed. i tried to be a computer programmer. topent two years trying write games. it turns out i'm not a good programmer. i am working on an internet startup on the side, and all these things become knowledge you end up using somehow. they were beyond interesting. they are in some ways counter intuitive. bs argue that passion is when it comes to success. everyone says you have to be passionate about what you engage in. you say that is crap. >> when people get interviewed and they say, what is the secret to your success, they almost always say passion. what are the other answers? they would be embarrassing. i am smarter than you. how about, i got lucky? how about, my dad was rich. he got me started. none of those answers sound good. andabout, i was passionate, if you were more passionate you would be a billio
you. i could not reach out to touch you, but i was rating for you. like tom a don't let that happen. like, don't let that happen. valves that were leaking, but i had not noticed anything until then. a couple of instances of but that of rest, really set me down for a few minutes. was in thelater i studio, and eight days later i was on stage. i'm not stopping. i asked this question because i am curious about when and where you came into the knowledge that this was your going gift, that you were to spend your life empowering .nd inspiring >> i sat next to my mother in church. happened before i set foot on this planet. -- aour brilliant pn brilliant pianist. i came here with something i inherited from my folks. you can call me out went. .- call me al got people interested in the story that includes an orchestra. i can't say a lot more about it, but we are going to tell the story about what happened. i was six or seven and singing. people smiled and pinched my cheeks until the blood vessels broke. i knew i was doing something right. i did a concert at five years in the garden. we raise m
york city. ♪ ♪ tavis: oh, my. you're sounding good, brother. you're sounding good. i don't get the chance to welcome often not only an amazing artist but one who also went to a great school. i get a chance to be in this moment for just a second with an indiana graduate and a fellow fraternity brother. this fraternity is all about achievement, and you have done that. >> i consider myself blessed. it was great to have gone to indiana. enjoying my life right now. >> i just saw joshua bail, another graduate. they have a wonderful music row graham. how did you end up there? >> i did undergraduate at this curveball. , and my teacher said, why don't you look at graduate school. he didn't want me to go to indiana. a was only one that had position left for classical music. i went there and fell in love with campus right away. end up in did you music when you were considering law? represent yourld self. that may not have been the worst route to go, but they seem so different, law and opera. >> i am one of six kids. be one ofwant to those people wearing suits. i had four sisters. i had to
involved. i kept up to date on the latest information. i have great doctors. to health care. don't?for those who >> there are countless folks who are not here. my rolodex is filled with people who didn't make it. there is no reason i should be still getting these calls. how has this gone from being a gay white male disease to being a black disease? never a gayit was white disease. they say it was promoted as a gay white disease. it is driven by poverty. in the united states from the the beginning we are 25% of cases. today we are nearly 50% of the cases. there are a number of factors. we were slow to respond to the epidemic. and lack of access to health care. linked to soy is many things. it, thee who don't get linkage between poverty and hiv- aids. many people see hiv-aids as the result of a bad choice. what does that have to do with poverty? >> for people most often don't have access to health care. a most often don't have access to information. a most often have to do maladapted tings just to survive. when people talk about poor choices, sometimes you choose to behave in a cer
and johannesburg, they have a lot going on that we don't hear on the news, but kids are being killed. kids are losing their lives. kids are murdering their parents because of this drug situation. we have issues with drug lords taking over communities. ahave partnered with wonderful couple, freddie and beth are. they have been working in the townships for years and years with local governments. it is actually moving forward right now. tavis: i have been reading about this. i'm so glad you are doing the work you are doing. it breaks my heart. you think of all that your countrymen and women went through to break the spine of apartheid. now, not unlike our inner cities, to be battling another war, another demon, called the drugs, it's just you can't catch a break. myi stood with guests on safari. we have done it for three years. i took guests into the township and into where workers come in south africa. we had 20 people in one room. that was the size of the room. at least four families were living -- if you see four beds in the room, that is for families. tavis: not for people, for families.
since the typhoon, and still the people haveaying they do not basic supplies. they don't have enough clean water. they don't have enough food. why has it taken so long? first a could not bring it there because the airport had been damaged. they can only take a limited number of flights. them told not bring municipalities because there were bridges that collapsed, roads that were impossible. most of the roads are now passable. >> what about helicopters? >> there is a limited number of helicopters. they were trying to land, but because of the whether they were trying to turn back. >> we have seen video of american airplanes tying to land to take people out. >> they wanted to land the aircraft that was bringing in relief goods. it brought out some u.s. citizens. this is a limited number of flights. somewere able to bring in and not enough to feed everyone. >> thank you for coming. clearly the infrastructure has a terribleated. situation for people in the philippines. afghanistan's drug harvest surged to a record high. the drug control agency says production of opium poppies shot up comp
soon. now, that has been dealt a very severe blow. we don't know how the pakistan taliban is going to react. if there are is any chance of the peace talks taking place. it is a serious setback. taliban hastani lost leaders to u.s. drone strike before. how much of a blow will this be? >> you are right, in fact, he took over in 2009 when his predecessor was killed in a drone strike. has happened before. you can assume that another leader will now emerge and will take control of your position. of course, we don't know whether he will have the kind of ruthlessness and a grip over the hsud has had and whether the new leader will refresh the filing campaign that sud has pursued the past two years which has left thousands of pakistanis dead in suicide bombings, shootings right across the country. until we see that, i think we have to assume that this has been a very serious blow for the pakistan taliban. >> richard galpin from islamabad, thank you. former with the death means to horttaliban, i spoke a s while ago for the director at the national security council, who is now at the new ame
wanted to make sure that our .hildren were specially guided you don't get that in schools. good at it.ery i don't think it is for everybody. if you are not good, you can hire other people to help you do it. my boy, they told us he is going to struggle. in kindergarten. now he is in the engineering program at asu. my daughter is a high school student at community college. she homeschooled until she was 17. it has really paid off for us. they have a firm foundation. take me back and tell me how you started getting so proficient. >> i started out as an oboe player. i went to berkeley high school in berkeley, california. i went off to college. you know, i wanted to play r&b, rhythm and blues. you are not going to do that on the oboe. sax.tched over to lots of good tenors, but nobody played bari. i learned to play the baritone sax, self-taught. i was ready to go, i met emilio at the pleasant county fair. 4 weekend, 1968. not just being proficient, but a lot of soul. where did that come from? it is one thing to make the switch to the instrument. that is not just practice. berkeley is a very
his standing with the public. , it is becauset people see him as a kind of celebrity, and they don't care about the womanizing at this point. after all, he's gone. no recriminations about it at this point. as far as his health goes, people are impressed with the fact that he was so stoic and able to overcome the pain, the back pain he suffered, and all the difficult medical problems he confronted to achieve an election to win the presidency and then to function quite effectively as the chief executive. >> i wonder whether or not it is impossible at this point in history, given that so many of us believe that america lost its innocence when jfk was gunned down the way she was 50 years ago in dallas, whether or not it is possible then that any future president could ever rise to the level of adoration that we have for john f. kennedy, not just because he was handsome, not just because he was eloquent, and not just because he was married to jackie o. there were so many comparisons between brock obama and jenna kennedy when he ran. he got the endorsement of caroline kennedy and ted ken
parker's playing, to his gift, and i don't mean spiritual in terms of religiosity. you know what i mean, don't you? >> right. he was, in reality, a very spiritual guy, because the first notesis, he knew that the don't care who plays them. and he knew that all music came , thatomewhere inside you the high road to yourself is inside you, it's not inside somebody else. so all of these things that he experienced when he was a kid in kansas city, all the different situations, he was constantly seeing people do things and produce things. and they're up session with beautiful things was something that he took very, very seriously. all of the guys did. duke ellington took it seriously. that comes oute always kind that is of like family. it is kind of familial. , whenever you hear makes youother, that think about something that is not trivial, because of your relationship to your mother. what i was trying to do in the book was just use different words again and again, or use a structure so that they would connect you to different times in this man's life. i was also trying to get the .eeling of
to reduce the sanctions. i don't see him interested yet altering thely long-term position. >> but do you see a change in relations between iran and the u.s.? ofi see a reduction sanctions but not diplomatic reconciliation like the u.s. and china in 1978. >> thank you for that. in other news around the world, a british royal marine who shot dead an insurgent has been the first u.k. soldier to be convicted of murder. recorded on the camera helmet of a fellow soldier as he shot the afghan in the head. two other marines were also charged with murder but acquitted. rains battle the jungles of the country. homes are flooded as landslides blocked major roads in the region of san martin. at least one person is missing. unprecedented economic reform. that is how the agenda is described in beijing ahead of the saturday meeting of chinese leaders. this is a significant moment for ping, who came to power last year, on his ability to set up the economic system. -- ourup first correspondent has been to you lan and shanghai, -- yulan and shanghai, to show how they have taken control. >> the skyline of shan
that aid is not getting in here. the airport says planes are coming in, but we don't see anything here. drivere head on, our suddenly breaks down. >> [crying] >> overcome by the strain of the last few days. the people here are stretched to the breaking point. airport, a transport plane arrives. a finally here to arrive. but no, the plane is empty. it is here to evacuate u.s. citizens. anyone who can is now getting out. and you can understand why. just a few hundred meters away, aid all lies beside the dead body of a child. lies beside the dead body of a child. >> we are just a few hundred meters away from the airport terminal and around me here, i , 10 bodies2, 7, 8, 9 on the side of the street. nothing has been done about it. back, thetime we head patience is gone. the crowd we saw waiting earlier for rice are now looting. tonight is the fifth since the typhoon struck. here are feeling increasingly abandoned and alone. bbc news in tacloban, central philippines. >> it is hard to get aid into the affected area, in part storme the form -- the destroyed so much infrastructure, but also be
that is for the people to discuss and to decide. i don't think the issue is about power now. i think the issue is about saving the people and the country. that is the utmost priority. these days, damascus residents want to get home before dark. no matter what side you are on politically, most people just want this war to end. ad they realize it could be very long way off. >> the fighting continues in syria. yesterday, he admitted to smoking crack cocaine, but today it was back to business for toronto's mayor. he was greeted by angry protesters when he arrived, but after defying calls to resign, he held meetings inside city hall and even blew the media a kiss. >> the big story continues to be -- >> the talk of the town and the entire country. canadian politics rarely registers internationally. 's admission of smoking crack cocaine has changed all that. this man used to work for the mayor and helped run his election campaign, -- this woman used to work for the mayor and helped run his election campaign, but is now calling on him to quit. >> thousands of toronto and -- of those in trenton oh are telling h
. it is a great story. for those who don't know the story of paul williams, whenever you fly into los angeles, that spider at the center of the airport, the revolving restaurant, he designed a spider. he designed some of the most beautiful homes in los angeles. he designed the polo lounge, the world-famous polo lounge, to beverly hills hotel. he designed it. i was going to tell the story about how paul williams, in meetings with white people, used to have to draw. >> first of all, there was a moment where they were considering, is he african- american? [laughter] is he a brother or not? while they would consider that, he always knew he had this very brief window to do his work. he would draw and design upside down so they would have the perspective before they could say, wait a minute, you were a black man. get out. as anld show his ability architect and designer before they even had any chance to kick them out. i think that is amazing. tavis: you are a bad man, sitting across the table with white folk, and drawn upside down to show them your brilliance. they didn't want to sit that close to
the sand from the bay and putting it back onto the beach. rich: the boaters don't like to have their propellers hit he ground. man:...the propellers off in the sand. they want it out of that. kevin: back in manasquan, we'll see our modular house assembled onsite. oh, i can't believe it. rich: can you just imagine the furniture in here? rita: it's more than i could ever expect. kevin: and we'll visit one of the most historic communities on the jersey shore. norm: oh, look at this! it's overwhelming. rich: the power of the water is just amazing, isn't it? kevin: what is this community's future? it'll be our house, just ten feet off the ground. norm: look at that. we don't want to go through this ever again. i'm going to rebuild my entire house. kevin: you sound optimistic, but this is not going to be easy. or, on the wall. ready? let's take off. the home depot is proud to support "this old house" and doers everywhere. work to a higher standard of craftsmanship, discipline and innovation. gmc. proud to lend "this old house" a helping hand since 2002. [ wind howling, bird squawks ]
your own age and i said no, i want to be with you. tavis: we all know that story. >> why don't we write a story about an older woman telling a young guy that you are too young for me. we were listening to curtis mayfield. he had this record out called this is my country. really high. we loved it. we have to write a great trumpet intro because we had this guy nick gillette. we wrote the trumpet first. intro atback to the the end. it was really the most famous thing about that tune. it is that song. tell me about the process when a song is written. tell me about the process for laying down those horn licks. >> you get a title, you get a groove, you get a phrase, anything you can build upon. that one was inspired by the curtis mayfield tune. and the song was also inspired by cheech and chong, he was in the band and cowrote that tune. we worked with them through the years. we get inspiration from wherever it is and build upon it. songke sure that when the is done, it is up to your standards. and we give it to the boys. they add a little magic to it. we raised that one ourselves. now we have
. the whole world will see it. i don't have her problem with that, but it is extreme embarrassing. >> despite these latest revelations, he continues to work here at his office. coming after his admission that he had smoked crack cocaine and been drunk in public. many of his colleagues are saying, enough is enough, time to quit. he was elected as mayor in 2010 and has a strong and loyal supporter base. many say is the reason why he is refusing to leave. a large proportion will say that he is damaging toronto's reputation. this is the video here. what were you thinking when you watched it? >> it was another example of how pathetic this man is. it is almost enough to elicit some sympathy. that is very unprofessional if you're trying to be a role model. this is not a reality show. it goes on. the media continues to demand answers from the mayor and many others demand his resignation. for now, he is still on the job. >> the toronto mayor. in other news now from around the world, mass evacuations have been ordered in the philippines and the closure of schools as the most--- most powerful typhoon of
, a fascinating part in your business works. to me, i don't care if they care. i care. it's all about me. [laughter] >> i mean, you know, just one song after another song, tempo change or instrumentation because this is acoustic guitar, piano and base player so the three of us reconfiguring the sound, hearing parts played on the piano that may be were guitar parts, you know, you're able to -- like for an acoustic tour, you can listen to the other musicians better so there's a flow that happens more. so just those kind of small changes. >> this is not a sensibly promote fog a record? it's not a new record you're out to do? >> no, the stormer of the year doesn't seem like that long. >> at this point in your career, i should ask it more broodily, do people in your situation tour to promote records or record to promote the tour? >> you know, my experiences with touring -- i mean, you know obviously back in the day, you did the tour to promote the record because people don't buy records in the same way or at all any more. it's not like that. however, it's expensive to tour and most of my tour
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